This is just a rough guide on what a project can deliver and relevant pricing. It is a starting point we can use and adjust to your subjects needs.
A smaller production can be of a single subject, a 30 to 45 second film on one mechanism in one environment, with three revision days and the same six deliverables. A larger production may consist of the creation of a portfolio, several products built on one design system with a shared lighting rig, so models share the same branded look and can be added to, re-lit and re-animated at lower cost.
Start here: a technical feasibility study
Before you commit to a full production, pick the hardest shot in it. I build that one shot and you get a finished frame of it, a motion test from the same scene, and a production plan with a fixed price for the whole job.
24 000 kr excluding moms, delivered within two weeks. 50% is credited against any production booked within 60 days.
How revisions work
A revision takes time when it requires new renders and re-delivery, so that is what gets counted. Notes that reach me while the work is still open are free.
There are two methods to choose between for revisions and we set one at the brief.
Consolidated rounds. Your project lead collects the feedback and sends one set per round. This works when one team owns the decision.
A drawdown, for approval chains. Some films have to pass marketing, then regulatory, then clinical, then back to marketing again, and revision rounds never close. Rounds do not work for that so instead the revisions are time based, days are drawn down as your chain moves along and the balance is reported after every delivery.
The accuracy warranty
If you find a factual error on my part in a mechanism that has already been delivered, I correct it at no cost, outside the revision allowance, for twelve months.
The limits, so they are clear before anyone needs them. An error means a deviation from the reference material approved at the accuracy review. The fix is a re-render of the shots affected, and it is capped at 25% of the project fee. Regulatory and clinical approval stays yours.
I aim for corrections within a week of getting the report, though it depends on the change. If you need a guaranteed turnaround, a support retainer holds time open for it.
Asset continuity
I keep the models built for your project in production-ready condition. A second production on the same subject gets quoted the same way as the first, except that the modelling and look development are already built and do not go into the price. How much that saves depends on what the new film has to do. A short variant costs a fraction of the first one, a full second film costs less but not that much less.
Ongoing support, from 30 000 kr a month
Once there is a portfolio to look after, the work stops being projects and starts being maintenance. New product variants, an updated figure because a spec changed, material for a conference that was announced six weeks ago, a vertical cut for a campaign nobody planned in January.
A retainer is four production days a month, held open in the schedule. It covers that kind of work without a new quote each time, and it is what a guaranteed warranty turnaround runs on. Unused days do not roll over, which is the honest version, and it is also why I will tell you if you do not need one yet.
Most clients get here after the second project. It is not a starting point.
What you own
On final payment you hold full rights to use everything delivered. That includes the film and the derivatives, worldwide, in any medium, for as long as you want. You can edit, re-cut, translate and adapt any of it however you want.
The project files behind the production stay with the studio, maintained and ready to use. If you want those source files too it is an add-on.
Anything I licence rather than build such as fonts, stock music, purchased assets, gets listed separately in the quote with its terms. That way you always know what you own outright and what you are licensing.
How it is paid, and where you can stop
25% to book, 25% at the storyboard, 50% on delivery. At the storyboard gate you can stop. You keep the storyboard and the research, and owe the booking payment only.
Supplying usable CAD removes modelling days and reduces the price.